
There's really no parallel in art for this act of sympathy with past masters. When we go to art school, we don't make a group practice of copying the Sistine ceiling or the Night Watch. Imagine if Michelangelo or Rembrandt depended on our technical skills as the vehicle for realizing their creative ideas.
As artists we don't have a shared repertoire that we must all master. We simply glance back at the vast sweep of art history, taking sips of inspiration here and there, and then try to find our own way alone.
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