For the final day of the creature design workshop, we took our studies, sketches, maquettes and photos and put them together into the final paintings, which we started and discussed. It was fun working together in the beautiful north-lit studio spaces of the Woodstock School of Art.
Having all seen real goats and goat skulls up close, we all have an affection for satyrs. Heinrich Kley (above) was one of many artists we looked at through the course of the week.
At the end, we didn't quite have a full-on bacchanale, but we had a nice pizza party before everyone had to drive home. Thanks to Billy (foreground), Maureen Rogers, Mike Marrocco, Christina Neno,
Lester Yocum, Shawn Fields, David Troncoso,
Eric Millen, and Jeanette and thanks to the WSA for letting us make the studios our home for the week. And for those who missed this one, maybe I'll see you at another workshop in the future.
For the final day of the creature design workshop, we took our studies, sketches, maquettes and photos and put them together into the final paintings, which we started and discussed. It was fun working together in the beautiful north-lit studio spaces of the Woodstock School of Art. 
Having all seen real goats and goat skulls up close, we all have an affection for satyrs. Heinrich Kley (above) was one of many artists we looked at through the course of the week.
At the end, we didn't quite have a full-on bacchanale, but we had a nice pizza party before everyone had to drive home. Thanks to Billy (foreground), Maureen Rogers, Mike Marrocco, Christina Neno, Lester Yocum, Shawn Fields, David Troncoso, Eric Millen, and Jeanette and thanks to the WSA for letting us make the studios our home for the week. And for those who missed this one, maybe I'll see you at another workshop in the future.
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