This is an unused concept sketch for a paperback cover for the novel Digging Leviathan by James Blaylock. The story involved a kid building a homemade machine to dig down to Pellucidar under modern-day LA.
I love a science fiction premise that mixes the bizarre and the banal, and I relished the opportunity to include a Rambler, a Mobil sign, a fish flag, and a TV antenna.
We didn’t end up using that particular sketch, though, because it didn’t have quite enough immediate impact. Instead we used a design that put the machine more in silhouette.
A bountiful new art blog called "Art and Influence," has just burst upon the scene. The blog is the work of Virginia plein-air painter Armand Cabrera and Diane Burket.
In less than a month since its inception, they have hit the ground running with dozens of posts on Armand's traditional painting instruction, mainly in oil landscapes. There is also a rich collection of biographical spotlights from art history, focusing on realist/impressionist painters of the 19th and 20th centuries, complete with quotes and bibliographies.
Many of these posts were adapted from material Armand and Diane created for the website Outdoor Painting. ------------ Art and Influence blog, link. Armand Cabrera website, link. Outdoor Painting website, link. GJ post about painting with Armand earlier this year, link.
In this quick watercolor painting of a narrow street in Rabat, Malta, the goal was to keep the shadow together as one shape. The edge of the shadow is cool on the upper right, where it picks up the color of the sky.
And the shaded buildings on the left are warm where they receive reflected light from the warm illuminated buildings.
But compared to the light tones in the distance, the shadow is one basic tone, and I tried to downplay the detail in the doorways and windows in the shadow area to keep it simple.
Here's how the little street appeared as I painted it, with bells ringing and car driving into it.
One year after 9/11, I met Joseph in a deli in Kingston, New York. He told me that he believed the end of the world is coming.
"I was a member of a gang," he said, "but I don't do that no more. I don't need to worry about no terrorists. I got a Smith and Wesson next to me all the time.
When you're planning a fantasy landscape painting, it often helps to do a quick atmospheric study. Here's one I did for the painting Waterfall City: Afternoon Light, from Dinotopia: Journey to Chandara.
If you make a 3-D schematic maquette, you can do the study while looking at the model. This study uses white and black charcoal on brown Kraft paper. The goal is to study the chiaroscuro: and to consider which things are light on dark and which things are dark on light.
An atmospheric study also gives you the chance to think about the mist and atmosphere. In a scene like this, not everything should be crisply lit. Some areas should be in shadow, and others half hidden behind veils of atmosphere.
Thanks to illustrator Dan Dos Santos on SF Signal.com for picking Gurney Journey as one of the top ten art websites of 2008.
Don't miss Dan's website and his complete top ten picks:
Imaginistix - Newly launched blog by Boris Vallejo and Julie. I'm really looking forward to seeing how this develops.
GFX Artist - A great collection of Art tutorials from some of the industry's hottest artists.
Turtle Art - A massive database of SF/F artists... an amazing efficient way to kill time.
Lines and Colors - Updated frequently, with a focus on modern and classical illustration
Gorilla Artfare - A group art blog, much of which is either SF/F based or concept art.
Google SketchUp - Sketch-up is a new program from Google. Not only is it rapidly becoming a staple of many SF/F artist's process, but it is totally free!
A couple weeks ago I posted this watercolor portrait of Zack, the antique dealer. He posed for me at a cafe in the old medina of Tangier, Morocco.
Here's a new video to show you the atmosphere of the scene. The light was coming from the blue sky above the square where we were sitting, and it made a cool highlight on the top of his head. Film by Alan Dean Foster.