
1. Top planes
2. Side planes in light
3. Front planes in halftone
4. Side planes in shadow
The actual scene had a lot more complexity of form and randomness of tones, but if you group the planes, it will be easier for the viewer to sort things out, and the form will carry more punch.
By the way, this was painted with a very limited palette: Black, white, burnt sienna, and yellow ochre. An ultra simple palette was enough for a pure form study.

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